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SVG is the new standard for vector images in the browser. Vector editors such as Adobe Illustrator allow to directly save to that format and modern browsers have no problems to properly display SVG. As SVG graphics consist of markup, they can be created and maintained using your favorite text editor, just as you do with your HTML. It is even possible to style SVG with CSS, though you’ll need to know about quite a few differences in doing so, compared to styling HTML.
Inky Deals is one of the leading deals websites in the design community, with an extended family of more than 300,000 design enthusiasts. It’s the place to go if you want to buy premium resources at unbeatable prices, whether you’re a graphic or web designer, developer, or business owner looking to improve yourself and your work.
They’re the only deals website who offer a 200% money back guarantee on every product. This means that if you’re not happy with it, you get your money back and you also get to keep the product.
Because Inky (the lovable little ink blob and mascot of Inky Deals) and his team enjoy giving back to the community, they’ve created a huge free web design bundle: 471 Premium Design Resources for Free value $519, which you can find exclusively on Inky Deals.
It contains textures, UI kits, HTML, PSD & WordPress templates, patterns, fonts, courses and much more. Here are their partners who helped them put this great bundle together:
This bundle has got dozens of good reviews, hundreds of shares and thousands of fans from all over the world. Let’s see what you get by downloading this full pack of resources:
This is just a small part of the design goodies you get by downloading this free bundle. Check out the entire 471 Premium Design Resources for Free!
Inky Deals is one of the leading deals websites in the design community, with an extended family of more than 300,000 design enthusiasts. It’s the place to go if you want to buy premium resources at unbeatable prices, whether you’re a graphic or web designer, developer, or business owner looking to improve yourself and your work.
They’re the only deals website who offer a 200% money back guarantee on every product. This means that if you’re not happy with it, you get your money back and you also get to keep the product.
Because Inky (the lovable little ink blob and mascot of Inky Deals) and his team enjoy giving back to the community, they’ve created a huge free web design bundle: 471 Premium Design Resources for Free value $519, which you can find exclusively on Inky Deals.
It contains textures, UI kits, HTML, PSD & WordPress templates, patterns, fonts, courses and much more. Here are their partners who helped them put this great bundle together:
This bundle has got dozens of good reviews, hundreds of shares and thousands of fans from all over the world. Let’s see what you get by downloading this full pack of resources:
This is just a small part of the design goodies you get by downloading this free bundle. Check out the entire 471 Premium Design Resources for Free!
Here we have come up with another inspiring collection for the designer and this time we are showcasing some of the excellent and awesome vector trees and leaves. Graphic designers constantly need such type of design resources that they can include in their toolbox. This will save their time as well as energy especially if they are running out of time. In addition to this, adding such tool and resources also increases the productivity.
So, without any further ado here we are presenting the complete list of 20 Awesome Vector Trees and Leaves for you. We hope that you will like this collection. Feel free to share your opinions with us via comment section below. Your comments are always more than welcome. Let us have a look. Enjoy!
Pink Cherry Blossom Tree Vector
Green Leaves Vector Graphic Background
<a target=”_blank” href=”http://dryicons.com/free-graphics/preview/spring-sale/”Spring Sale
Spring Green Background Vector Illustration
Nature Background with Fresh Green Leaves
As we all know that competition is very tough in the field of designing. Every web designer and web developer tries his best to make his web designs perfect. This is the reasons that designers and web developers are touching the boundaries of creativity and imagination. This is the reason that all these designers all the time are ready to search for new, smart and creative tools or graphics that make their designs more attractive and eye-catching. Vector graphic is one of them. And these days vector graphics are commonly used in web designs as well as in graphic designs. The reason is that vector graphics are a scalable image that means you can easily re-size them with your ease.
In today’s collection we are presenting 47 delicious free food vector graphics for designers that help you in your upcoming projects. With food vector graphics web designers and web developers can easily create stunning food related images. Take a look and let me know what you think.
Free Fast Food Vector Sandwich
Delicious Chocolate Dipped Strawberry
Western-style Food Vector material
In the following Adobe Illustrator tutorial you will learn how to create a set of sleek web ribbons. We’ll start with two simple shapes and some basic masking techniques. Next, using a simple rectangle and some simple vector shape building techniques we’ll create the overall ribbon shape. Once we have the starting shapes we’ll continue with the smaller parts. Using some Pathfinder options, several Warp and Gaussian Blur effects plus some basic blending techniques we’ll add the final touches.
As always, this is the final image that we’ll be creating:
Open Illustrator and hit Control + N to create a new document. Enter 600 in the width and height box then click on the Advanced button. Select RGB, Screen (72ppi) and make sure that the "Align New Objects to Pixel Grid" box is unchecked before your click OK. Now, turn on the Grid (View > Grid) and the Snap to Grid (View > Snap to Grid). Next, you’ll need a gridline every 5px. Go to Edit > Preferences > Guides & Grid, enter 5 in the Gridline every box and 1 in the Subdivisions box.
You can also open the Info panel (Window > Info) for a live preview with the size and position of your shapes. Do not forget to set the unit of measurement to pixels from Edit > Preferences > Unit > General. All these options will significantly increase your work speed.
Pick the Ellipse Tool(L) and create a 250 by 40px shape. Fill it with the linear gradient shown below, lower its opacity to 50% and go to Effect > Blur > Gaussian Blur. Enter a 5px radius and click OK. Bear in mind that the yellow zero from the gradient image stands for opacity percentage. Switch to the Rectangle Tool(M), create a 350 by 50px shape, fill it with black and place it as shown in the second image. Reselect both shapes, open the fly-out menu of the Transparency panel, click on Make Opacity Mask then uncheck the Clip box. In the end your masked ellipse should look like in the third image.
Pick the Rectangle Tool(M), create a 180 by 75px shape, fill it with the linear gradient shown below and place it as shown in the following image. The white numbers from the gradient image stand for location percentage.
Reselect the rectangle created in the previous step and go to Object > Path > Add Anchor Points. Keep focusing on this shape and grab the Direct Selection Tool(A). Select the middle, bottom anchor point and drag it 15px up. In the end your shape should look like in the second image. Move to the Layers panel, double click on this shape and name it "Ribbon".
Focus on the top, right corner of the shape edited in the previous step. Pick the Rectangle Tool(M), create a 10px square, fill it with the linear gradient shown below and place it as shown in the following image. Focus on this new shape, grab the Delete Anchor Point Tool(-) and click on the top, right anchor point. This will remove the anchor point turning your square into a triangle.
Disable the Snap to Grid (View > Snap to Grid) then go to Edit > Preferences > General and make sure that the Keyboard Increment is set at 1px. Reselect the triangle shape created in the previous step and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px to the right using the right arrow from your keyboard.
Reselect both copies, open the Pathfinder panel and click on the Minus Front button. Fill the resulting shape with black and lower its opacity to 15%. Focus on this new shape, grab the Delete Anchor Point Tool(-) and get rid of the top, right anchor point. In the end your shape should look like in the fourth image.
Reselect the triangle shape created in the fifth step and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 3px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with black and lower its opacity to 15%. Focus on this new shape, grab the Delete Anchor Point Tool(-) and get rid of the top, right anchor point. In the end your shape should look like in the fourth image.
Reselect the triangle shape along with the two shapes created in the previous two steps and group them (Control + G). Make sure that this new group is selected and go to Effect > Warp > Arc Upper. Enter the data shown below and click OK.
Enable the Snap to Grid (View > Snap to Grid). Reselect the group created in the previous step and go to Object > Transform > Reflect. Check the Vertical button and click on the Copy button. This will create a horizontally flipped copy of your group. Select it, drag it to the left and place it as shown in the third image. The Snap to Grid will ease your work.
Reselect "Ribbon" and focus on the Appearance panel. Select the fill and go to Effect > Warp > Shell Lower. Enter the data shown below and click OK. Make a copy of "Ribbon" (Control + C > Control + F), select it and go to Object > Expand Appearance. Move to the Layers panel, double click on this new shape and name it "RibbonExpanded".
Disable the Snap to Grid (View > Snap to Grid). Reselect "RibbonExpanded" and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 5px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Ungroup the resulting group of shapes (Shift + Control + G). Delete the thin, right shape and fill the other one with white. Also, lower its opacity to 40% and change the blending mode to Soft Light.
Reselect "RibbonExpanded" and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 10px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Ungroup the resulting group of shapes (Shift + Control + G). Delete the thin, right shape and fill the other one with black. Also, lower its opacity to 20% and change the blending mode to Soft Light.
Reselect "RibbonExpanded" and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 5px to the left. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Ungroup the resulting group of shapes (Shift + Control + G). Delete the thin, left shape and fill the other one with white. Also, lower its opacity to 40% and change the blending mode to Soft Light.
Reselect "RibbonExpanded" and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 10px to the left. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Ungroup the resulting group of shapes (Shift + Control + G). Delete the thin, left shape and fill the one shape with black. Also, lower its opacity to 20% and change the blending mode to Soft Light.
Reselect "RibbonExpanded" and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px up. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with the linear gradient shown in the following image.
Reselect "RibbonExpanded" and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 2px up. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with the linear gradient shown in the following image and change its blending mode to Soft Light.
Enable the Snap to Grid (View > Snap to Grid). Pick the Ellipse Tool(L), create a 240 by 45px shape, fill it with a random color and place it as shown in the first image. Select this new shape along with "RibbonExpanded" and click on the Intersect button from the Pathfinder panel. Fill the resulting shape with the linear gradient shown in the following image, lower its opacity to 40% and change the blending mode to Overlay.
Reselect "Ribbon", focus on the Appearance panel and add a second fill using the Add New Fill button. Select it, drag it in the bottom of the Appearance panel, make it black, lower its opacity to 7% and go to Effect > Warp > Shell Lower. Enter the data shown below, click OK and go to Effect > Warp > Arc Lower. Enter the data shown below, click OK and go to Effect > Distort & Transform > Transform. Enter the properties shown in the following image and click OK.
Reselect "Ribbon", focus on the Appearance panel and add a third fill. Select it, drag it in the bottom of the Appearance panel, make it black, lower its opacity to 10% and go to Effect > Warp > Arc Lower. Enter the data shown below, click OK and go to Effect > Distort & Transform > Transform. Enter the properties shown in the following image and go to Effect > Blur > Gaussian Blur. Enter a 3px radius and click OK.
For the following step you will need a grid every 1px. So, go to Edit > Preferences > Guides & Grid and enter 1 in the Gridline every box. Pick the Rectangle Tool(M) and create a 280 by 1px shape. Place it as shown in the following image, fill it with the linear gradient shown in the first image then send it to back (Shift + Control + [ ).
Let’s add a simple background for our ribbon. Pick the Rectangle Tool(M), create a shape the size of your artboard, fill it with R=190 G=190 B=190 and send it to back (Shift + Control + [ ).
Disable the Grid (View > Show Grid) and the Snap to Grid (View > Snap to Grid). Reselect the thin rectangle created in the twentieth step and make a copy in front (Control + C > Control + F). Select it and move it 1px down using the down arrow. Make sure that your copy is still selected, focus on the Appearance panel and replace the existing linear gradient with the one shown in the following image.
Pick the Type Tool(T) and add your text. Set its color at R=42 G=92 B=5 then go to Effect > Stylize > Drop Shadow. Enter the data shown below and click OK.
Reselect the rectangle used for the background, focus on the Appearance panel, add a second fill and use the radial gradient shown below. Keep focusing on the Appearance panel and add a third fill for this shape. You’ll need a built-in pattern for this new fill. Go to the Swatches panel, open the fly-out menu and go to Open Swatch Library > Patterns > Basic Graphics > Basic Graphics_Textures.
A new window with a set of built-in patterns should open. Make sure that your background rectangle is still selected, focus on the Appearance panel and select that third fill. Lower its opacity to 20%, change the blending mode to Multiply and add the "USGS 19 Land Inundation" pattern.
Finally, here’s a quick technique that you can use to recolor your ribbon. Select all the shapes that make up your ribbon and go to Edit > Edit Colors > Recolor Artwork. Click on the Edit button, make sure that the "Recolor Art" and the "Link Color Harmony" buttons are checked then play with the color handles.
Once again, here’s how your final result should look.
Now that we have made it to the end, we would like to know your thoughts on this new tutorial. Leave us your two cents in the comments.
(rb)
In the following Adobe Illustrator tutorial you will learn how to create your very own simple vector map illustration. First, we’ll build the starting shapes using pixel perfect alignment, some basic vector shape building techniques along with a bunch of warp effects. Then we will put on the finishing touches. We will add the colors along with some simple effects and highlights to give it that final bit of character.
As always, this is the final image that we’ll be creating:
Hit Control + N to create a new document. Enter 7000 in the width box and 500 in the height box then click on the Advanced button. Select RGB, Screen (72ppi) and make sure that the "Align New Objects to Pixel Grid" box is unchecked before your click OK. Now, turn on the Grid (View > Grid) and the Snap to Grid (View > Snap to Grid).
Next, you’ll need a grid every 10px. Go to Edit > Preferences > Guides & Grid, enter 10 in the Gridline every box and 1 in the Subdivisions box. You can also open the Info panel (Window > Info) for a live preview with the size and position of your shapes. Do not forget to set the unit of measurement to pixels from Edit > Preferences > Unit > General. All of these options will significantly increase your work speed.
Pick the Rectangle Tool(M) and create eight, 120 by 110px shapes. Place them as shown in the following image and fill them with the two colors shown below.
Pick the Direct Selection Tool(A), select the anchor points highlighted in the first image and drag them 10px down. The Snap to Grid should ease your work.
Now we will help the map sections take shape. Take the first column of blue shapes. Select the top shape and go to Effect > Warp > Arc Upper. Enter the data shown below, click OK and go to Effect > Warp > Arc Lower. Again, enter the data shown, click OK and go to Effect > Warp > Flag. Once again, enter the data shown below and click OK.
Move on to the bottom shape and go to Effect > Warp > Arc Lower. Enter the data shown in the following image, click OK and go to Effect > Warp > Flag. Again, enter the data shown below, click OK and go to Effect > Warp > Arc Lower. Once again, enter the data shown below and click OK.
Focus on the fourth column of shapes. Select the top shape and like before, go to Effect > Warp > Arc Upper. Enter the data shown below, click OK and go to Effect > Warp > Arc Lower. Again, enter the data shown below, click OK and go to Effect > Warp > Flag. Once again, use the data provided below and click OK. Move to bottom shape and go to Effect > Warp > Arc Lower. Enter the data shown, click OK and go to Effect > Warp > Flag. Again, enter the data and click OK.
Now move on to the second column of shapes. Select the top shape and go to Effect > Warp > Arc Upper. Use the data provided, click OK and go to Effect > Warp > Flag. Again, enter the data shown below and click OK. Move to the bottom shape and go to Effect > Warp > Arc Lower. Enter the data shown below, click OK and go to Effect > Warp > Flag. Again, enter the data shown and click OK.
Select the third column of shapes. Take the top shape and go to Effect > Warp > Arc Upper. Enter the data shown below, click OK and go to Effect > Warp > Flag. Again, enter the data shown below and click OK. Now move on to the bottom shape and go to Effect > Warp > Arc Lower. Enter the data provided, click OK and go to Effect > Warp > Flag. Again, enter the data given and click OK.
Now that we have the basics of the folds created we shall move on.
Select all the shapes created so far and go to Object > Expand Appearance. Select the resulting shapes and duplicate them (Control + C > Control + F). Select these copies, open the Pathfinder panel (Window > Pathfinder) and click on the Unite button. Most likely your resulting shape has a few gaps.
Now we need get rid of these gaps. Pick the Pen Tool(P) and draw a simple shape around those gaps. Select this new shape along with the shape created in the previous step and click on the Unite button from the Pathfinder panel. Send the resulting shape to the back (Shift + Control + [ ) and add a 1pt stroke. Align it to the outside and set its color at R=117 G=174 B=136. Move to the Layers panel, double click on this new shape and name it "Map".
Focus on the eight, blue shapes. Select the top, left shape, make a copy in front (Control + C > Control + F) and bring it to the front (Shift + Control + ] ). Select this copy along with the bottom, right blue shape and click on the Minus Front button from the Pathfinder panel.
Keep focusing on the eight, blue shapes. Select the top, right shape, make a copy in front (Control + C > Control + F) and bring it to front (Shift + Control + ] ). Select this copy along with the bottom, right blue shape and click on the Minus Front button from the Pathfinder panel.
Move over to the Layers panel, select "Map" and go to Object > Path > Offset Path. Enter a 5px offset and click OK. Fill the resulting shape with the linear gradient shown in the second image and set the stroke color at R=215 G=215 B=215. The white numbers from the gradient image stand for location percentage.
Disable Snap to Grid (View > Snap to Grid) then go to Edit > Preferences > General and make sure that the Keyboard Increment is set at 1px. Select the shape created in the previous step and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and hit the up arrow once (to move it 1px up). Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with R=190 G=190 B=190 and remove the color from the stroke.
Reselect the shape created in the twelfth step and open the Appearance panel. Add a second fill for this shape using the Add new Fill button. It’s the little, white square icon from the bottom of the Appearance panel. Select this new fill, make it black, lower its opacity to 3%, change the blending mode to Multiply and go to Effect > Artistic > Film Grain. Enter the data shown below and click OK.
Reselect "Map", make a copy in front (Control + C > Control + F) and send it to the back (Shift + Control + [ ). Fill this copy with black, move it 10px down. Lower its opacity to 10% and go to Effect > Warp > Arc. Enter the data shown in the final image, click OK and go to Effect > Blur > Gaussian Blur. Enter a 3px radius and click OK.
Select the top, blue shape from the second column and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down and 2px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its opacity to 10% and change the blending mode to Soft Light.
Select the bottom, blue shape from the second column and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px up and 2px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its opacity to 10% and change the blending mode to Soft Light.
Select the top, blue shape from the fourth column and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down and 2px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its opacity to 10% and change the blending mode to Soft Light.
Select the bottom, blue shape from the fourth column and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px up and 2px to the right. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its opacity to 10% and change the blending mode to Soft Light.
Select the bottom, blue shape from the first column and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 10px down and to the left. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with white. Switch to the Delete Anchor Points Tool(-), make sure that your white shape is still selected and click on the two anchor points highlighted in the third image. In the end your shape should look like is shown in the fourth image.
Reselect the shape created in the previous step, lower its opacity to 8% and fill it with the linear gradient shown below. Remember that the white number from the gradient stands for location percentage while the yellow zero stands for opacity percentage.
Repeat the techniques mentioned in the last two steps and create the three shapes shown in the following images.
Select the bottom, blue shape from the second column and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 15px up. Reselect both copies and click on the Minus Front button from the Pathfinder panel. Fill the resulting shape with the linear gradient shown in the third image and lower its opacity to 15%. Repeat this technique for the bottom, blue shape from the fourth column.
Select the top, blue shape from the first column and make a copy in front (Control + C > Control + F). Lower its opacity to 20% and fill it with the linear gradient shown below.
Select the bottom, blue shape from the first column and make a copy in front (Control + C > Control + F). Fill it with the linear gradient shown in the second image and move over to the Appearance panel. Select the existing fill and lower its opacity to 20%. Add a second fill for this shape, select it from the Appearance panel, lower its opacity to 50% and use the linear gradient shown in the third image.
Select the bottom, blue shape from the second column and make a copy in front (Control + C > Control + F). Fill it with the linear gradient shown in the second image and move to the Appearance panel. Select the existing fill and lower its opacity to 20%. Add a second fill for this shape, select it from the Appearance panel, lower its opacity to 40% and use the linear gradient shown in the third image.
Select the top, blue shape from the second column and make a copy in front (Control + C > Control + F). Now, you need to copy the properties added for the shape created in the previous step to this copy. Here is how you can easily do it. Go to the Layers panel, focus on the right side and you'll notice that every shape comes with a little grey circle. It's called a target icon. Hold Alt, click on the circle that stands for the shape created in the previous step and drag onto the circle that stands for the copy created in the beginning of this step.
Select the top, blue shape from the third column and make a copy in front (Control + C > Control + F). Fill it with the linear gradient shown in the second image and move to the Appearance panel. Select the existing fill and lower its opacity to 25%. Add a second fill for this shape, select it from the Appearance panel, lower its opacity to 20% and use the linear gradient shown in the third image.
Select the bottom, blue shape from the third column and make a copy in front (Control + C > Control + F). Again, copy the properties from the shape created in the previous step to this fresh copy.
Select the bottom, blue shape from the fourth column and make a copy in front (Control + C > Control + F). Fill it with the linear gradient shown in the second image and move over to the Appearance panel. Select the existing fill and lower its opacity to 40%. Add a second fill for this shape, select it from the Appearance panel, lower its opacity to 50% and use the linear gradient shown in the third image.
Select the top, blue shape from the fourth column and make a copy in front (Control + C > Control + F). Lower its opacity to 40% and fill it with the linear gradient shown below.
Select all the shapes created in the last sixteen steps and group them (Control + G).
For the map you need to start with this simple image . Save it to your hard drive and drag it inside your Ai file. Select it and open the Transform panel (Window > Transform). Check the "Constrain Width and Height" button then enter 500 in the Width box. Select this resized shape.
First, go to Object > Live Trace > Make then go to Object > Live Trace > Tracing Options. Enter the data shown below, make sure that you check the "Ignore White" box, click on the Trance button then go to Object > Live Trace > Expand. Select the resulting group of shapes and go to Object > Compound Path > Make.
Select the compound path created in the previous step and place it as shown in the first image. Reselect the "Map" shape, make a copy in front (Control + C > Control + F) and bring it to front (Shift + Control + ] ). Select this new copy along with the compound path and go to Object > Envelope Distort > Make with Top Object. In the end your compound path should look like it’s shown in the fourth image.
Reselect the compound path, move to the Transform panel and enter 350 in the Width box. Make sure that your compound path is still selected, change its blending mode to Soft Light then drag it below the group created in step #32 (in the Layers panel).
Reselect the "Map", make a copy in front (Control + C > Control + F) and bring it to front (Shift + Control + ] ). Fill it with white, change its blending mode to Multiply and go to Effect > Stylize > Inner Glow. Enter the data shown below and click OK.
Finally, let’s add a nice background. Pick the Rectangle Tool(M), create a shape the size of your artboard, fill it with R=240 G=240 B=240 and send it to the back (Shift + Control + [ ). Add a second fill for this shape and use the radial gradient shown below.
For this final step you will need a built-in pattern. Open the fly-out menu of the Swatches panel (Window > Swatches) and go to Open Swatch Library > Patterns > Basic Graphics > Basic Graphics_Textures. A new window with a bunch of patterns should open. Look for the "Diamond" pattern. Reselect the shape created in the previous step and add a new fill. Select it from the Appearance panel, lower its opacity to 15%, change the blending mode to Color Burn, add the "Diamond" pattern and go to Effect > Artistic > Film Grain. Enter the data shown below, click OK.
Once more here is a look at what your final result should resemble. We hope that you all enjoyed this all new Adobe Illustrator tutorial and that it was easy to follow along with. Feel free to leave us your thoughts, critiques, or questions in the comment section below.
(rb)
In honor of VectorPack.net‘s Mega Design Bundle 2, I’ve got 5 copies of 210 Grunge brushes to give away! For this contest, I get to give away part of the brushes from that bundle to 5 lucky winners. Make sure to read the rules, and good luck!
Grunge Brushes are design elements which are needed by each and every designer. This is why we, at VectorPack.net, have decided to help designers, artists and creatives around the world get their hands on these amazing 210 Grunge Brushes which is a part of the VectorPack.net Mega Bundle 2.
VectorPack.net is a design studio which specializes in creating high-quality vector art and design elements. VectorPack.net surprises designers and artists around the world with very detailed, professional stock vector art, Photoshop brushes, fonts, seamless patterns, backgrounds, textures, and WordPress themes. All in all, each and every type of vector art and design elements designers need for their work.
By offering a large variety of products, VectorPack.net is the suitable resource for all type of clients, from designers to advertising agencies and apparel creators, who are able to find here the coolest products for their artwork.
The Mega Bundle 2 is a collection of over 650 design elements which VectorPack.net puts at the disposal of designers for only $29 instead of $545. This incredible offer is available till the 13th of October, meaning 10 days from now on. This great Mega Bundle contains high-quality design elements which reunite all the resources needed by creative people at a bargain price.
As VectorPack.net awards its clients with this type of Mega Bundles at a discount price once every several months, you should subscribe to their newsletter as not to miss these great offers.
This amazing Mega Bundle contains the following design elements:
- 319 vector elements
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This article is about the differences between pixel and vector-based designs but before going into details, I would like to give you an introduction to graphic design. A design is a combination of words and drawings which is integrated in a manner so that it can enhance creativity and exquisiteness through innovative ideas whereas graphics are a visual presentation of images in print media. Graphic design is the production of images and text artistically and in an appealing style. Graphic design can be referred as a visual communicator in the field of multimedia. If someone wants to enhance interactivity in his website, logos and signs or to convey a strong message through brochures and posters then he should incorporate graphic designs in his work.
Advanced graphic designs of web pages has increased the level of competition in the IT industry. Everyone wants to introduce pleasing graphic design in their web pages, logos and brochures. When you start working on graphic designs you will come across two different types, pixel-based and vector-based graphics. In the following section I will give you the description of the major differences. This description will help you in the selection of graphics for your web site or logo designs. A flourishing graphic design can be developed only by understanding the pros and cons of these two formats so that you can decide which one is good for your work.
Pixel-based graphics are commonly known as bitmap graphics or raster images. In order to understand pixel based graphics you have to understand the word pixel and its origin. The word pixel is basically a combination of two words “pix” and “el”. The first word “pix” came from the word picture and the other word “el” came from the word element. The pixel is the smallest element of a picture or the tiny dots of colors (red, green or blue). Bitmap or pixel-based images are made by the combination of these tiny dots on a lattice. The picture on a bitmap graphic is a blend of pixels. The biggest advantage of using pixel based graphics in your website is that all the digital and scanned picture are produced in this format and you don’t need to convert it into any other format.
A bitmap image looks like the ball at the left in the above picture and the square at the right side shows the close up of the bitmap image.
The quality of the image in pixel-based graphics depends on the mode of compatibility of output device or dpi of the device. If you want to keep the quality of a pixel-based image on a web page, you have to uphold its dpi or dots per inch up to 72 dpi since the dpi of computer monitors is 72 or 96 dots per inch. The dot per inch or dpi is also referred as pixels per inch or ppi. This will also help you in maintaining the quality of the picture when you are changing the file size, the picture will look worse otherwise. Apart from computer monitors, printers operate with a range of 150 to 300 dpi and that is why the pixel-based graphics do not have a good result when they are printed even with a higher resolution. Making files larger does not work either. This means that pixel-based graphics is good for web pages but not for brochures.
The difference in the quality of a bitmap image on printer and on monitor screen is visible in this illustration. The small square box at the front shows how pixels get scattered when they are printed whereas the same picture has a realistic effect when it is produced on-screen.
Pixel-based graphics have a different behavior in scaling process. Making bitmap image smaller is not a big deal and it has no side effects on the quality of the picture. You can scale down a 400 by 600 pixel image into a smaller size without having a blurred or blotted effect on the picture but in the scaling up of the picture it possess different behavior. In a bitmap image, the properties of the picture include the attributes of each pixel. In making the size smaller, these attributes are shrunk easily but in the scaling up of the picture, the computer is unable to resize it as a larger image. The device does its best and makes the picture bigger with estimated attributes which result in a distorted and splotched image.
This picture demonstrates the difference of bitmap image before and after scaling.
The size of a pixel-based image depends on the properties and attributes of the pixels. Pixel-based graphics have a larger file size than the files of other formats because in pixel-based graphics all the pixels hold their information and have their own separate attributes which on blending, make a complete picture. This process of image development increases its size and makes the file larger.
Vector-based graphics have a wide scope in line art. Apart from pixel-based graphics, in vector-based graphics images are developed by mathematical functions. Vector-based images are somewhat similar to geometric diagrams and use points and lines. Individual objects have individual attributes and characteristics which is unlike pixel-based images in which each and every pixel has separate attributes and properties associated with them. The editing of vector-based images is also very easy. The main reason of this easiness in editing is that only the properties of the lines and objects has to be edited in contrast to the process of changing attributes of every pixel. The lines, dots and functions used in the development of vector-based graphics are called primitives.
This is a perfect example which shows the actual vector-based image along with its primitives. The picture on the left side shows a vector-based image and the picture on the right side shows primitives of the original vector-based image.
The image quality in vector-based graphics does not depend on the dpi of the output device. This type of artwork in graphic design is good for logo designs because the resulting image is clear and crisp. Vector-based graphics do not work well when there is a need for soft-toned graphics in a picture. A picture which requires a lot of tonal changes is difficult to achieve in vector art. If you are interested in adding a vector-based image on your web page then you need to rasterize the image (convert it into a bitmap image). But the vector images that are created in Flash can be used in a web page without converting it. Besides Flash, there are several plug-ins that are available which support vector-based images. In many cases, the browsing software faces trouble in dealing with a vector-based graphics and rasterizes the vector image itself.
Vector-based images cannot be for realistic pictures. This is very important to know that the conversion of pixel-based image into a vector-based image is very difficult. It can only be done by using specific software. It is wise to use bitmap images in graphics orfor web design because images produced by scanners and digital devices are bitmap images and the conversion of pixel-based image into a vector image is a difficult task.
This is a perfect example which shows the difference in results of vector-based graphics and pixel-based graphics in a realistic picture.
Vector-based graphics are easily scalable to any size. A vector-based image is made up of lines and mathematical statements which makes it easy to scale images up and down without losing quality. The output device does not need to make any estimations for the appropriate points, the objects changes its size or points through geometrical equations. Vector art has the strongest point that it gives its best results in logo designs and line based graphics and one can easily scale it into any size.
This diagram shows the behavior of a vector image when it is scaled up. It is obvious in this image that the result of a vector-based image is smooth after scaling.
The vector-based images are smaller than bitmap images because the file contains only the information related to objects rather than the information of each pixel. In vector-based graphics, the size depends on the resolution of the picture that has been generated even if the picture is converted to bitmap image, the size remains the same. So, if you want to have a small bitmap image on your website you can use a converted vector-based image. The size of the vector-based image depends on the number of objects and layers included with it.
If you are going to start working on a new website or are deciding on a logo for your business this article should be helpful in choosing the format of graphics for your work or design.
Illustrator: How to Make Vector Grunge from Jay Hilgert on Vimeo.
Last time we have compiled websites with vector landscapes for you. Now, we gathered vector wallpapers to put as your desktop background. Vectors are great way to give creativity and attraction on your design. Also, it can make your desktop lively by downloading some of these cool vector wallpapers. Have fun browsing and be inspired to make your own vector wallpaper!
I like how the red clouds and bright colors blend together. Very nice and attractive!
800 x 600
This is why I love vector graphics so much! If you want to put creativity on your photos, make them in vector. Cool!
1280 x 960
This wallpaper makes me want to eat sweets! Pretty and sweet one to use.
1280 x 800
The lady was perfectly done in vector with the curves and details of the body.
1280 x 1024 | 1680 x 1050
Putting different kinds of objects to form the woman’s body. Cool, isn’t?
1920 x 1200
I really like this one. It’s so clean, a creatively done vector wallpaper.
1024 x 768
I like how all the elements are combined together to form such a wonderful nature-themed vector wallpaper. The colors are nicely chosen too.
1600 x 1200
The combination of shapes are nice. I think it would look better if the colors are brighter than the current ones.
1024 x 768
Comparing this one with the previous wallpaper, I like this one better. The concept is nice and the placing of elements are greatly done.
1024 x 768
If you will look at the design, there is not much shapes used. But it still looks nice because of the simplicity plus colors used.
1024 x 768
A wonderful example of vector design, putting different geometrical shapes to create a design.
4665 x 3406
Nicely done in details. Clean and beautiful ladies in vectors.
1024 x 768
I like the pink color and the blur effect of the flow. Very peaceful and feminine look design.
1024 x 768
The silhouette trees made the design look romantic, while the shapes in bright colors made it look very childlike.
1280 x 1024
One thing that I like with some designs is the story behind each. This is like a love battle between good and evil.
1600 x 1200
The lady in vector looks so lovely. It looks nice and fancy.
1280 x 1024
Cool! I love the concept of putting no face and the wings too. Music makes us fly.
2000 x 1500
If you want your eyes to be refreshed, put this as your desktop wallpaper. Very refreshing.
1600 x 1200
Simple but nice lady figure in kimono. It fits well on the design.
1024 x 768
Wonderful work of vector! Very nice Super Mario in vector, isn’t?
1600 x 1200
Do you remember those times that you play the game of Mario? Very nice game like this one in vector.
1024 x 768
I find this one very cute. The rainbows and ray light effect of the heart shape give life to the design.
1280 x 960
Wonderful art and style. The colors used are not too dull yet not too bright. I like the objects used, perfectly combined.
1600 x 1200
Nice and clean. I like the swirls that was put around the lady, very sophisticated.
1280 x 1024
Very cool! Awesome colors and graphics used.
1600 x 1200
What do you imagine on this wallpaper? I imagine a city with lights and trees. Have you noticed the ribbon-like object that represents a river? It’s so cool!
1280 x 960
Vectors and silhouette are perfect combination, right? And this design is one good example.
1600 x 1200
Beautiful colors! A wonderful example of vector.
1440 x 900 | 1920 x 1080
The objects stand out with the background color and the swirls with a leaf on the tip are wonderfully placed.
3296 x 2542
The lashes are nice and the hair gives the woman a sexy look. And the background color fits so well on the design.
800 x 600
The silhouettes are great that they blended well on the background. Awesomely done wallpaper!
1280 x 1024
Have you notice the wings that was put as mustache? Cutie! The colors are very attractive!
1024 x 768 | 1280 x 1024 | 1366 x 768
Hah! This one so so cute. Very creative to put together objects to form a monkey.
1280 x 1024
Don’t you find designs with stories behind each very creative? I do. I think designing is one way of speaking your emotions.
1024 x 768
The rainbow is like a slide made of candies. The sun rays work well with the background color and the silhouette are very nice.
800 x 600
The design is so smooth in style, good choice of colors. I wish there can be a place exactly like this one. It’s like paradise.
1280 x 960
The lady in vector is sexy and chic. If I were just a guy, I would not let this woman wait. Haha! Amazing work indeed!
1280 x 800
The clouds and other elements of the design fit well together. The details are well-created.
1600 x 1200
Very nice vectors. The curves and the details are nicely done. I also like the woman holding a gun, very strong in personality.
1600 x 1200
I love the effects of the light. Also, how the colors and shapes are blended together are awesome.
1600 x 1200
When I am seeing this, I can imagine lollipops. Very sweet and the submarine looks great.
1280 x 960
Don’t you remember your puppy love when seeing this? I do. LOL. This wallpaper is simple yet cute and romantic.
1600 x 1200
Though the colors are not so bright, it still look good because of the blending effect. Nice work.
1600 x 1200 | 1280 x 960 | 1024 x 768 | 1920 x 1200
Good choice of colors and well-done curves.
1024 x 768
The curves and colors used on this design struck me the most. Very beautiful.
1920 x 1200
Very emotional design. I like the effect of the soul and lady in silhouette. The clouds and vectors are beautifully combined.
1600 x 1200
I find this one unique for seldom vector designers use two colors only. The pandas combined with different shapes are very cute.
1600 x 1200
A vision of what is heaven and hell. I like the silhouette used and the blending of background colors.
1600 x 1200
Nice silhouette and choice of colors. Simple, bright yet nice.
1280 x 960
The colors are nice and the creator did a great work by just using one shape and having a creative output.
1400 x 1050
I hope that you enjoyed browsing these beautiful vector wallpapers as I have enjoyed them. Personally, I appreciate and I love viewing vector designs. I find them really nice and creative! You won’t get tired looking at them, right?
What about you? How well do you like vector designs? You can share your thoughts with us!
Ok, take a close look at the screenshot above. You’ll notice that the line I circled is not perfectly horizontal. You can tell by the steps in the path. Sometimes you can adjust your keyboard nudge increment in the preferences, select one of the points, and nudge it to where it needs to be. But another way to make a perfect alignment between 2 points is using the Align palette and the direct select tool, just like you would for 2 objects. Here’s how:
1. Open the “Align” palette and make sure you have “Align to Selection” checked.
2. Using the Direct Select tool (White Arrow) select both of the points you want to align, the hit the “Vertical Align Center” button in the Align palette. Now both points will be perfectly aligned, thus, your path will be perfectly strait.
This can come in pretty handy on those paths that you need to be perfect, like designing fonts or cutting out stickers for example. Hope some of you find it useful :)
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