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"Tell the chef, the beer is on me."
A few years ago, the company I was working for ran recruitment for an entry-level position in which they asked applicants to email over samples of their work as attachments. Aside from the work itself, I was fascinated to see the different filenames applicants had chosen for their attachments. Most of them were named according to the project they had come from or were just called something like sample_for_companyname
. Some, though, used names like theirname_jobrole_application
. I had a good feeling about those ones.
Whether you’re sending a file to a friend, colleague, or potential employer, context is important. The project title might have been a useful file name to applicants on their own computers, but to us – stored in a folder full of resumes and samples – it was meaningless. The people who’d told us who they were and what the sample was for in their filename had given consideration to the recipient of their application.
“That’s the spirit,” I’d say to myself. They were thinking like UX designers.
The point of this story is that we spend a lot of time thinking about people in the experiences we create professionally, but not enough time applying these insights personally. Doing so can help us create with less friction as we function within our teams.
When we’re designing, we often consider our audience’s mental model – how do they perceive the world? Mental models are created from a mixture of past experiences and assumptions. Computer filing systems offer a classic example. Files can be grouped together and stored in folders. People get that concept pretty easily because – just like real life filing – it fits their mental model.
Icons help interaction designers communicate abstract concepts; how can we do the same?
Consider mental models when talking to your colleagues and clients, too. If we talk about ideas in a way that draws on what they already know, it’ll be easier for them to slot new information in alongside it. We can use analogies to show how what we’re doing relates to something they’re already familiar with. I was once working with a client who wasn’t following the difference between client-side and server-side code, so we started using a shop window/shop storeroom analogy, with reloads being like a trip to store room. It made the conversation easier for both of us.
It works it the other way around too. Elements of our clients’ business that we’re not familiar with can be baffling, so we can try to make sense of abstract or complex concepts by suggesting comparisons. We might get the comparison wrong at first, but that doesn’t matter – it’ll still get them thinking about alternative analogies that do work.
Clarity is essential to good design. There’s not much point in something if people don’t understand what it’s for or what it’s trying to say. This applies to any communication with our clients and colleagues, written or verbal.
Keep conversations, emails and documents straightforward. Professionally, we’d never fill a website with long text, written in the passive voice and packed with jargon, so we can’t let that kind of language creep into our emails either.
Other people might do it sometimes – people often get a bit strange and formal when they’re writing – but their job probably isn’t focused on how the person on the other end will react, so they’ve got an excuse. We haven’t.
Another simple way we can make ourselves clearer is by making good use of subject lines in emails, section headings in documents and slide headings in presentations. In her book, 100 Things Every Designer Needs to Know About People, Susan Weinschenk provides the following paragraph without a header:
First you sort the items into like categories. Using color for sorting is common, but you can also use other characteristics, such as texture or type of handling needed. Once you have sorted the items, you are ready to use the equipment. You want to process each category from the sorting separately. Place one category in the machine at a time.
It seems almost meaningless – abstract sentences about sorting things into categories. Then she shows it again with the header “Using your new washing machine,” and it makes perfect sense. As Dr Weinschenk says, “Provide a meaningful title or headline. It’s one of the most important things you can do.”
We often think about how we can grab users’ attention, so we know it’s not easily done. Keeping it is even harder.
One of the best ways to stir emotion and grab attention is to employ a story. Think about how often we see case studies on websites explaining how something worked. Think about how charities don’t just give us statistics about the number of people in need of our help, they tell us the story of one person’s individual struggle. Stories, especially with characters we can relate to, make things more real, more memorable. The need for a story is the whole reason we use personas to help the team focus on who we’re designing for.
We need to keep stories in mind when we’re making a case for a particular design option. We can use a character – usually one of the project personas or a research participant – and tell the story of how the character would use the product and how they would react to it. Using a story like this to make a case will be interesting and memorable, which means it’ll be a far more persuasive than relying on statistical findings alone.
No matter how driven and committed the team is, people’s minds are going to wander. Research by Jonathan Schooler has shown people’s mind wander even when they don’t notice it happening, so almost no one is going to have caught one hundred per cent of what went on a meeting or a phone call.
We need to make sure that we allow for wandering attention by always doing thorough recaps at the end of any conversation. We can send summary emails around the whole team and ask everyone else to chip in and add a note if anything’s missing. This takes the pressure off any one person, and stops vital pieces of information slipping through the net.
Recaps are useful for both informal chats as well as organised meetings. If you came up with a great way to deal with that navigation problem with your developers while you were waiting for the kettle to boil, send a quick round-up email afterwards outlining what you agreed upon.
The self-determination theory says that people find autonomy and competence most motivating. We all like to feel that we are in control of our own lives, and that we’re developing our skills and capabilities. These things motivate us far more than any external influences like earning more money or fear of the rules. We also like to feel like we’re getting somewhere so we’re constantly on the look-out for signs of progress.
Increasingly popular websites such as Treehouse make great use of this theory. Not only are they giving users an opportunity to take charge and develop on their own, but they’ve grouped tutorials into badges, giving people something tangible to collect in order to track their progress. It’s not the badges themselves that people are interested in; it’s the sense of achievement.
Applying this theory to our team has obvious implications for anyone who manages or mentors others – give them plenty of opportunities to develop their skills and give them freedom and independence in their work – but we can apply it to our clients too. They might have come to us for a service but that doesn’t mean they want to lose control of their project, and anyway, it’s likely that they know their business better than we do. We can’t confuse providing a service with taking over. We need to find ways to work collaboratively and help our clients feel as much ownership of the project as us.
Be careful to keep them in the loop, with frequent, informal catch-up calls. You don’t have to wait for scheduled deliveries to get their feedback. Even if they don’t want to actively contribute at every stage (or if you can find reasons why their suggestion isn’t the best) they’ll feel like they’re valued if you’ve take the time to ask their opinions. Sometimes it can be tempting to save things up for a big reveal, but this rarely has the effect we were hoping for. Clients will automatically feel more strongly towards an idea that they feel they had a hand in, even if none of their ideas made it into the final design.
This one’s last for a reason – it’s what all the others boil down to.
UX design is all about empathy. We spend all day trying to imagine what’s it like to be the user – what they would want to read here, which button would they press there – so it shouldn’t be too much of stretch get into the habit of imaging what it’s like to be in our colleagues’ and clients’ positions, and thinking about what will make the design process easier for them.
We know that good design isn’t about us – the designers – at all. It’s not about showcasing our skills, or trying to impress anyone. It’s about giving users what they need and want. This mindset can be applied to whoever you’re dealing with. Don’t focus on making yourself look good, focus on making the team feel good.
This article considers just a handful of the psychological principles that we use every day. There are plenty more that I could’ve included – just think of all the lists of heuristics and design guidelines you’ve ever read!
Those design principles aren’t based on what computers can do or how code works – they’re about people. Our colleagues and clients are people too, so we need to keep the principles in mind all the time – not just when we’re thinking about our end product.
Each time you make a design decision, think about the principles that guided that decision. Then think about how that same principle can be applied to your team to consciously create great team experiences. The better we can make the process of designing user experiences, the more people are going to want get involved and embark on their own UX design projects. And that means better user experiences for everyone.
The post Designing the Team Experience appeared first on UX Booth.
This week we are re-featuring the pattern template contest we initially posted last Friday. The challenge is to create a numbered pattern using any number one through seven (1, 2, 3, 4, 5, 6 or 7) with the month of April in mind (see more on the theme, below). Also, each number must be its own pattern template.
Createmixedmedia.com features an artist each week on their homepage in "THE WEEK AS ART" as visualized by the artist who creates that weeks days as art. This week on createmixedmedia.com there is a wonderful display of numbered art four through ten (4, 5, 6, 7, 8, 9 and 10) each very rich in color by artist, Denise Brown (inkstitch.net).
source: createmixedmedia.com homepage, week of march 4th through 10th (THE WEEK AS ART)
Create Mixed Media will place each winning COLOURlovers template as a colored version by the creator, on their site the first week of April in THE WEEK AS ART. The image on the site will link back over to the winners pattern on COLOURlovers.com.
This fun opportunity offers you as a creator, exposure on your design skill and a prize of $25 to spend in the North Light Shop which has tons of books on mixed media, color, anything art, craft, hobby and technique.
The challenge rules:
Template must be created using any single number one through seven (1, 2, 3, 4, 5, 6 or 7).
You can submit as many versions and numbered templates as you like.
Please submit a colored version along with your original grayscale template.
A loose theme of "April Fools" and/or "April Showers" will give you more weight in winning, but you are not limited to this directly (i.e. in the current weeks artist on createmixedmedia.com, her work is simply colorful and organic which will work too).
You can use any extra design elements (shapes, lines, etc) you would like within the template, but the number does need to be noticeable.
This is a template contest. That means you will need to use either Seamless Studio or Seamless Lite to make your initial submission.
Remember, you must only put one number in to one template as the template is referring to a day of the week.
CONTEST ENDS: Wednesday, March 21st, 2012. Submit designs in the comments of this post.
Here are some great patterns that incorporate numbers for some design inspiration!
Inspiration from Spoonflower.com, sources: 1 | 2 | 3 | 4 | 5
And some inspiration from COLOURlovers Templates with numbers:
Current submissions include (feel free to create more!):
First, a big thanks to everyone who participated in last weeks Community Survey! The results were helpful in gauging what you as active, participating members are mostly interested in for the site and in Community Engagement blogposts.
Last weeks survey results
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As promised, the random COLOURlovers T-Shirt winner for participating in last weeks survey is COLOURlover member, frugaldivadesignz. She's been COLOURlovin since January 2012 so say hello and check out her profile, website and make her feel welcome! Congrats I'll contact winners via Love Notes as well.
Great responses and extra notes I'll take in to consideration for future surveys, possible blog post and How-To's. Getting active in the survey's will shape what we are able to provide for you so please spread the word and make sure you get involved! We will randomly pick another T-Shirt winner for submitting to this survey too.
Don't forget to play in the CreateMixedMedia template challenge, a themed design challenge!
For those of you following Leatrice Eisemen's training schedule, her 4-Day Color Training Program is off to a start this very morning in Burbank, CA. LindaHolt and ModernMuse (aka Michelle Stroescu), the two COLOURlovers who won full and half scholarship for the class back in November are excitedly enjoying their first day of learning and meeting Leatrice.
To tide you all over until we get to do a followup with both Linda and Michelle about the class experience, Leatrice kindly took the time to answer the intriguing questions each winner had asked at the time of receiving the announcement that they had won.
Linda: I would love to know what the process is and what goes into choosing the Color of The Year?
Leatrice: I literally travel the world looking for clues. If I see a color that I think is ascending in importance, I make special note of it and then look for evidence in it gaining momentum. Fashion is always a good indicator, but it is not the only design area that must be examined. There are so much creative design areas that must be considered including graphics, the world of art, product design, home furnishings and so on . Another very important part of the choice is tapping into the “zeitgeist ‘ of the world around us and the emotional message that the color imparts. For example, with the that big gray elephant (the economy) still looming large and the concern that is being felt internationally, we would not want to choose a color that could be a “downer’. Instead we listen to people’s aspirations and try to give them a color that, at least symbolically, satisfies and encourages their needs and hopes.
Linda: I would like to know if you have had a life long love of color and what was your path to becoming the color guru you are today?
Leatrice: Yes, I was destined to do something with color. Even as a child, I was super-aware of the presence of color and was always fascinated by it. I learned early on that wearing separates was the way to go because you could contrive so many more color combinations that way. I also had a mother who let me have full reign in color choices—even in painting my room. And I came up with some pretty dramatic combinations. The proviso was that if and when I got tired of it, it as my job to purchase the paint and make the changes myself! I started to take design classes very early and then realized that color was not just about fashion and home, but the psychology of color was equally important. So my degrees are in psychology, but I combined that with design and color was a natural part of that. And for a shortened version of what happened next, I taught color, consulted with various industries, wrote the first of eight books in color, was invited to become the Executive Director of the Pantone Color Institute, while at the same time teaching color programs through the Eiseman Center for Color Information and Training.
Michelle: How does Pantone take into account the current social/ political environment when deciding on future color palettes - or do they at all?
Leatrice: Yes, those factors considered, as they are a vital part of color trends.
Michelle: I tend to believe our economical, political, and social situations by country affect color trends...
Leatrice: Again, yes they are. For example, one of the important areas to look at, especially in this age of mass communication so readily available, are the colors that are indigenous to a certain country in which a large sporting event such as the Olympics is going to be held, as most of the world is anticipating and then watching those events. Another example: When there is war in any country, or some traumatic event, like 9/11, in the U.S., it is quite characteristic of a particular country to turn to the colors of their flag as they are symbolic of patriotism.
Michelle: Did Michelle Obama by chance choose a yellow inauguration suit when that was the same color of the year?
Leatrice: I truly don’t know for certain why she chose that color-- It could be that she had a stylist who was very savvy about those things and made that suggestion to her or that she inherently understood that the color was symbolic of the hope and optimism that had been do much a part of the Obama campaign.
Michelle: Are there really and truly color meanings related to a person’s personality and characteristics? In color consulting is this taken into account and are they analyzed personally and in business branding solutions...regarding color choices in branding?
Leatrice: To respond to the first part of the question, yes there are color characteristics that people can relate to their own personalities. Faber Birren was the first credible resource on this aspect of color and many of his books are still available, although some relating to color in business are somewhat out-dated. But those relating to the psychology of color are still quite relevant. I have also written about this aspect of color in several of my books, including More Alive With Color and the Color Answer Book.
Michelle: Of all of the Pantone company's "Color of The Year," which color and what year had the most impact on businesses and sales? Is this something that is tracked by business sector? Fashion, home, retailing, advertising, etc?
Leatrice: This question cannot be answered without doing extensive research that would involve tracking each area mentioned. And many companies will not divulge their sales figures, but keep it internal. Pantone provides the tools for assigning a color to a product, interior or apparel but does not track how every one of their 2000 plus colors sells in every industry. That would be a mammoth undertaking. What I have done in the past (and continue to do) is to track consumers’ responses to specific colors based on color word association studies and I will be discussing those in the class you will be attending...
Michelle: In my past business "blue" was always the dominant sales color within my customer base. That may be due to the fact that I dealt primarily in young mens and mens businesses...
Leatrice: And that might have been a very viable reason for using blue—you instincts were correct. I don’t think I have ever done a line that did not include some shade of blue, as it is still a highly preferred color.
Michelle: One more question for you that I didn't give Molly, but it would be really helpful if you could advise in your opinion what would be the most important inclusive, informative text to use in teaching COLOR THEORY to fashion design/marketing students? Currently we use the book COLOR by Zelanski/Fisher.
Leatrice: That is an excellent resource, but in addition there is a wonderful book by Enid Verity called Colour Observed. The publisher is MacMillan Press and it was published in 1980 in England. Surprisingly, there aren’t many color photos, but the information is excellent and succinct. You will get a booklist as part of your hand-outs when you attend the class.
Thanks for answering these questions in such detail Leatrice, we can't wait to hear from Linda and Michelle, post class and full of tons of color knowledge!
It’s here! Some consider it a plague, some consider it a shopaholics dream, and some people just want a new pair of socks at rock-bottom prices. That’s right, the full contact sport of Black Friday has returned for another year. Which brings me to wonder, why do they call this day of awesome deals and big crowds black? Here are a few interesting theories I've pulled together…
Original credit for the phrase is given to the plunging gold prices way back in 1864 that started a panic in the stock market, thus a very black Friday indeed.
Then, in the late 1960s, Philadelphia newspapers borrowed the phrase to describe the dark masses of shoppers crowding the stores. Sounds kind of creepy I know, but let’s imagine them wearing festive holiday colors and the picture isn’t so bleak.
Later on, this idea was clarified to mean that the crowds increased profits, thus the black ink on the accounting balance sheets is why it is called Black Friday.
Tweak this theory again and black now represents the day retailers make a profit or break the bank. Ominous, I know.
Whatever the origin, by the time the 1990s rolled around, Black Friday had turned into a nationwide retail holiday (albeit unofficial). Since then its fame has grown, and now it is the season’s biggest shopping day of the year (says market research firm ShopperTrak).
Whether you brave the crowds, hide at home, or enjoy a regular day at work (with a little crowd control), be safe and have a happy Black Friday from all of us at COLOURlovers!
Hi everyone, I'm Sarai, sewing writer and pattern designer for Colette Patterns. In honor of the release of my brand new book, The Colette Sewing Handbook, I thought I'd share a few of my all-time favorite textile prints for making clothes.
In the chapter on fabric in my book, I go over a range of different types of prints and patterns, from florals to stripes. For me, there are a few types of prints that I always fall in love with at the fabric store.
1. Schumacher Sunara Ikat | 2. Amy Butler Lark Glamour Kasbah Persimmon Red | 3. Annette Tatum Bohemian Ikat Diamond Pink
Ikat is a style of fabric weaving used throughout the world. Traditional ikat fabrics can be found in diverse cultures, from Japan to Guatemala. The graphic patterns are often produced in rich colors, and the resulting designs work so beautifully for everything from clothing to decor.
1. Turquoise seersucker | 2. Premier Prints Canopy | 3. Seersucker stripe in hot pink
To me, stripes are the perfect print for layering. I love mixing stripes with dots, stripes with florals, stripes with more stripes! But the best thing about using stripes in sewing is the ability to make really interesting design changes, just by changing the direction of cutting. You can make a dress with a vertically striped bodice and horizontally striped skirt, for example. Or add a panel of diagonal stripes. They are so much fun to play with.
1. Thai Silks Large Dot Charmeuse | 2. Thai Silks Small Dot | 3. Thai Silks Multicolor spots
And speaking of dots, polka dots are another perennial favorite on my sewing table. Black on white dots have always been my favorite, but just about any dot is irresistible to me. They're just fun and playful.
1. Premier Prints ZigZag | 2. Richloom Antique Satin Trolley Stripe | 3. Remix Zig Zag
Printed chevron fabrics are fun to work with, like stripes but a little more eye-catching. I use them sparingly in clothing since they can be a bit dizzying, but when they work they really work.
1. Thai Silks Rose Garden | 2. Carolina Herrera Rose Brocade | 3. Thai Silks Midnight Rose
There's something so classic about a rose print. Being from the city of roses, I admit to being partial to this particular flower.
Understanding color can be a daunting task with many dead ends. Have you ever taken a color theory class only to be left feeling like it didn’t teach you anything to do with applying color in the real world?
Maybe you have an awesome natural instinct for putting together cohesive palettes or colorizing fabulous patterns perfectly, but why are you so good at it? Validating the why, where and when of color will change your entire outlook on color and what it can do to your personal or professional life.
Color opportunities exist in many industries. Companies need color design expertise to guide them through the many choices they have to make as a successful business. Choices they must make involving color range from advertising, product design, branding and many more. You need credible, verifiable information to back up your decisions as a consultant or designer and you need more than a simple love for color to get you there.
Pictured: Leatrice Eiseman
This is where we introduce “the international color guru”, Leatrice Eiseman - colorexpert.com. Among many hats, Leatrice is the Executive Director of the Pantone Color Institute, Director of the Eiseman Center for Color Information and Training, has authored eight books to date and will be heading off 2012 with a Color + Design Training Program in Burbank, California.
Pictured: class setting with Leatrice Eiseman instructing
The training program is an intense four-day program for very motivated individuals who wish to enhance their color skillset for application in the real world. Only 20 participants are accepted to the course which allows for a higher quality of learning. The class covers topics like: Developing your color expertise, The psychology of color, Color facts vs. fiction, The how-toʼs of color forecasting, Future color trends... and much more.
PANTONE® The 20th Century in Color | MORE ALIVE WITH COLOR
Leatrice’s latest book on color, which is a part of the giveaway, is titled, PANTONE® The 20th Century in Color, co-authored with Keith Recker.
Leatrice is giving away one full scholarship, one partial scholarship and some books (mentioned above).
1st Place: Full scholarship valued at $1775 + Book + 2x Blog Features
2nd Place: Partial Scholarship valued at $887.50 + Book + 2x Blog Features
5 Runner-ups: Book
In addition to prizes from Leatrice, first and second place winners will share a feature blog post interview on COLOURlovers.com about themselves personally and professionally, expanding on their story submitted. Furthermore, we would like to do a post-interview after the class in January 2012 (posted in February).
Contest will run through Saturday, November 25th, 2011 at 8pm PST. The COLOURlovers Team will be the judging panel and choose winners from those that put out their best effort.
Here’s how you earn it:
In the comments - post one of your palettes that identifies with you and your story on how color impacts your life as well as how you would like to use color more, to impact the lives of others. Your story can be anywhere between 50-300 words max (click here for a visual of what 300 words looks like).
In the case that you may not be able to travel/attend the class, you may still win one of the books! If you can, please mention that you are only applying for a book. We would love to hear your story!
This class is January 26th-29th, 2012 in Burbank, California. Travel and accommodation expenses will not be covered by Leatrice. Although an excellent group rate at the hotel is available and the hotel has full kitchens.
Neon is one of those palettes that often finds itself on the wrong side of the high-brow/low-brow division. Most of us associate the vibrant colors with things like the blinking signage advertising the local bar or fast-food spot, or our favorite "Saved by the Bell" inspired outfit from middle school.
Neon Flame image #2 | Tronized Beauty image #3 | Superfresh image #1
But neon "throw-back" clothes are back, and just as neon's having a fashion revival on the street, it also has a place in the couture scene.
Take these three projects, which insert the hues for dramatic touches that serve as the centerpiece of the images.
Neon Flames goes for a black-light effect - the model's neon makeup illuminates the frame, and she "breathes" clouds of neon smoke.
Neon Flames by Ariana Nespiak (Toronto, Canada)
Tronized Beauty
In Tronized Beauty, a neon laser pen adds a totally unexpected and fascinating element to this fashion editorial.
Trionized Beauty by Ludovic Taillandier (Paris, France)
And the Superfresh window display team, following the client's instructions for a "fresh and futuristic" look, used neon liberally.
Superfresh Store Display by Mateusz Sypien (London, UK)
As artists like these experiment with wild ways to use neon, our "neon experience" can expand beyond the sunglasses and t-shirts we pass on the street, and help us discover more creative uses of this vibrant palette. Who knows - maybe you'll be inspired to start wearing neon makeup like the model above...
There's just something beautiful about a friendship bracelet. I don't know if it's the 454 gorgeous colors DMC offers. The few materials needed to create something beautiful. Or the ease of making the bracelet itself, and how relaxing it can be. As a child, I have fond memories of making bracelets with my girlfriends.
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For as long as I can remember, I have always been an entrepreneur. While most kids' first business is the adorable lemonade stand, mine, was friendship bracelets. I had the fancy little case, the bobbin winder, and cardboard bobbins. I organized them by color families, and remember just looking at them, thinking about how much I loved the colors! My love of friendship bracelets carried through high school, where I actually made a little money making bracelets and sometimes necklaces.
Bobbin Winder and Bobbin cards by DMC for storing your colored floss (source)
Though, I don't know that friendship bracelets have ever gone out of style, it certainly appears that they are becoming more popular than they have been in recent years.
If friendship bracelets are new to you, the process of making one may be overwhelming. Here are two very simple patterns, easy enough for any beginner! The first is the arrow bracelet and the stripped bracelet.
Both stripped and arrow style bracelets are featured in these photos. (source)
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If you're seeking something a little more advanced, you may find these friendship bracelets with names or shapes to be just what you're looking for.
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This design incorporates zodiac signs, as well as names.
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Friendship hair combs? I love this hair comb wrapped in DMC Floss. It adds interest to a simple, everyday, plain Jane hair comb - not to mention color! (source)
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This is a great idea for any holiday party! Abigail, with the help of her mom, made each of her classmates a friendship bracelet!
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There are several patterns, and ways to make friendship bracelets using DMC Floss. With 400+ colors, I'm confident you'll find colors to match your favorite color palette!
Pumpkin orange and midnight black—the predominant colors of Halloween combine the Autumn season with darkness and scary entities.
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But how did these colors really come to dominate this most unusual holiday? The truth is, when it comes to the question of the origin of the Halloween colors, it can be hard to separate the opinions from the facts.
Unbleached beeswax candles (source | source)
The most common opinion about where the colors originated is steeped in the rich history of the Celtics and the Druids, with the burning of unbleached beeswax candles (orange) and ceremonial caskets draped in a black cloth.
Feng Shui candles are said to help create peace in the center of your house (source)
Now, let’s step into the world of Feng Shui, where a balance of energy reigns supreme. Believers of Feng Shui feel that the colors of orange and black were chosen because they are on opposite sides of the energy spectrum: orange is warm, happy, lively, and brings to mind the bounty of the fall harvest, while black represents mystery, void, power and protection (source).
(leaves source)
The most obvious answer to this question is that the classic color of Autumn is orange, while black can be equated with the approaching darkness of winter.
spider glasses | felted toys | napkins | Bunting
And, if you want to get really extreme, some people claim that black and orange were the only colors left after Christmas took red and green, and Easter took all of the pastels.
Of course, Halloween colors are not just limited to orange and black, you will also see a lot of blood red, eerie green, ghostly white and deep purples. So, where do these colors come into play? Here is a plausible explanation.
Celtic wheel of the year (source)
Going back to the Celtic festival of Samhain in 700 B.C., it signified the end of the harvest and the approaching of winter, or the end of one year and the start of another. The Celts believed that ancestral spirits joined them on this day when the past and the present are about to cross paths, which is why it was also considered a “day of the dead.”(source)
goblin | bat necklace | brooch | Boo
All of the Halloween colors seem to implicate some kind of connection to death and dying. Red is a classic implication of blood, fire and demons, while green represents goblins, monsters, and zombies. Purple draws in a bit of the supernatural and mysticism, while white reflects ghosts, mummies and a full moon.
Stepping away from color for a moment, Halloween is also dominated by an abundance of Jack-o-lanterns and children out trick-or-treating. These traditions also have an interesting origin.
Stingy Jack (source)
Jack-o-lanterns trace back to the Irish myth of Stingy Jack who died and, finding himself rejected by both heaven and hell, was forced to roam the darkness seeking a resting place for his soul. Legend has it that he hollowed out a turnip and used it to carry a coal to light his way. This said, the first Jack-o-lanterns were carved in turnips, and only changed to pumpkins when the tradition was brought to America.
jack-o-lanterns (source)
Trick-or-treating came about during the Great Irish Potato Famine. On Halloween, peasants would beg for food from the wealthy. They played practical jokes on those that refused to give them something. So, to avoid being tricked, the wealthy gave out cookies, candies, and fruit. It is easy to see how this turned into modern-day trick-or-treating. (source)
bracelet | plastic mustaches / lips | zombie clips | toy
No matter what history tells us, the Halloween color palette we see today is warm, bright, fun, and sometimes a little spooky. Each color has a place in the holiday and can find a place in your life as well, whether you are wearing it, eating it, decorating with it, or simply reading about it. So, have a happy, safe and colorful Halloween!
header credit: purple bats
Halloween is approaching! What patterns, palettes and colors are you favoring as we get closer?
Ray, from The Vector Lab has made all COLOURlovers some Spooky SVGs to play with! You can download them for FREE until November 1st. SVGs can be used with Seamless Studio.
Use code: HALLOWEEN
SVG vector set by The Vector Lab
*You have to be logged in to The Vector Lab to be able to download the SVG files.
Neon signs first came to the United States in 1923 when a Los Angeles car dealer bought two signs for his Packard dealership. Throughout the 1920s and 1930s, neon tubes were used for signage as well as decorative displays. By 1947, several casinos in Las Vegas began to draw attention with their elaborate neon lights.
(source)
Many of these signs can be seen at the Neon Museum in Las Vegas, sometimes referred to as the "Neon Graveyard" or "Boneyard Park". There are more than 100 signs that date back as far as the 1930's!
(source)
Several active signs throughout Las Vegas have been pledged to the museum once they’re retired. This “Living Museum” project ensures these irreplaceable artifacts will be preserved for future generations to enjoy.
Of course neon lights aren't only popular in Vegas. In the 1950's Coca-Cola built their first neon sign. In total there were 3,515 feet of tube! The sign was 44'X44' which gives an area of approximately 2,000 square feet! The sign weighted approximately 5,000 pounds and was built in 432 sections.
(source)
The Coca Cola sign hung in Westminster. In a popular area known as Piccadilly Circus.
(source photographed in 1949, 1962, 1992, and 2006)
I love that you can see the changes through the years, not only in the city, but also in the signs.
(source)
A trick of the eye is used to produce visually distinct neon display segments by blocking out parts of the tube with an opaque coating. One complete assembly may be composed of contiguous tube elements joined by glass welding to one another so that the same current passes through, for example, several letters joined end to end from cathode to cathode. To the untrained eye, this looks like separate tubes, but the electrical splice is the plasma inside the crossover glass itself. The entire tube lights up, but the segments that the viewer is not supposed to see are covered with highly opaque special black or gray glass paint. This heat-resistant coating is either painted on or dipped. Without blockout paint, the unintended visual connections would make the display appear confusing. (source)
(source)
If you live in more of a rural, low-key area, your idea of a neon sign might be those every day simple signs of functionality. These types of signs almost put the art of neon to shame, but serve a function to certain businesses nonetheless.
(source)
MONA, the Museum Of Neon Art also carry's a selection of preserved, refurbished and present neon design work. In fact, they even do Neon Tours - showing how neon can add to architectural elements as well.
MONA NEON CRUISE bus
Dive in to WeHo's Art on the Outside (source)
Museum of Neon Art, Pep Boys sign (source)
Neon sculpture at MONA (source)
Neon artists, such as Lakich Studio present exhibits as well as commission residential artwork.
Lakich Studio collage from homepage (source)
Large scale use of neon and other colorful lighting tricks to create an amazing nighttime atmosphere!
(source)
Neon signs have without doubt proven to grab attention in any shape or artistic form- although one can't help appreciate the talent involved in the more impressive pieces past and present.
The next time you see a neon sign maybe you'll look at it a little differently. Quite possibly you'll look at it more closely to see the opaque coating. Perhaps you'll have more appreciation for neon and its different art forms and the way it has evolved through the last century.
Header credit: EightHourDay.
The launch of Mattel’s first line of Hot Wheels cars in 1968 was the beginning of what would become a big part of many of our childhoods. Almost 45 years later, Mattel estimates that about 41 million kids have grown up with their model toy cars, while the faithful enthusiasts have become collectors as adults. So, what was the secret to Hot Wheels' success?
For starters, a constant stream of new models and concepts has enabled Hot Wheels to remain competitive. Its rivalry with Matchbox, which had a 15-year head start debuting in 1953, has resulted in a very colorful history that has transformed our entire preconception of what model toy vehicles should or should not be.
Hot Wheels 1968 Advertisement Featuring the Cheetah (source)
Often referred to by collectors as the “Sweet 16,” the first 16 cars that were released featured metallic “spectraflame” paintwork in such exotic colors as Antifreeze, Magenta and Hot Pink. Soon to follow were a collection of 48 cars released in the 1970s, which included the Paddy Wagon and models with rotating crash-panels called Crack-Ups.
Original Paddy Wagon, with removable plastic top (source)
Crack-Ups (source)
In 1988 Mattel brought the concepts of color and model car to a whole new dimension with its release of Color Racers. The thermal color-change paint “magically” gave the model cars a “new” paint job when immersed in water. Released in single and multi-car packs, the cars were made of all metal and had the appearance of having a thicker coat of paint than the original Hot Wheels.
Color Racers (source | source)
A speeding rainbow colored car adorned the bright packaging, and advertisements promised a miraculous experience: “Watch the magic! Cars change color, instantly, right before your very eyes! You can ‘paint’ them, again and again!”(source)
Micro Color Racers (source) | Color Racers II with "Ice Pen"
After a booming success, Mattel came out with Micro Color Racers, which were a just-as-colorful and magical, but smaller version of the original.
Color Racers II upped the ante on the “magic,” allowing the users to customize their cars using the “Ice Pen.”
Military Machines: Hummer and Big Bertha (source)
In 1994, yet another version emerged, this time under the name Color FX. This version brought on color customization with a “Blast!” and a “Splash!” The main difference was the addition of a little plastic tool with a sponge on the tip, which could be dipped in water and then applied to the vehicle.
‘57 Chevy (source) | T-Bird Stocker (source) | Dump Truck and 1980s Camaro (source)
When “painting” gets boring, what do you do? Stamp, of course! Color FX Super Stampers were next to hit the shelves.
(source)
’67 Camaro (source)
In 2008, a name change to Color Shifters brought another little twist with hidden designs that are revealed as the vehicle is exposed to warm or hot water. Picture bright flames, camouflage, and racing stripes! Soon to follow were a whole variety of color-bending cars.
Color Shifters Creatures 2010 (source)
Color Shifters Creatures: Vampyra (source) | Dragon Blaster (source) | Evil Eye (source) | Rig Dog (source)
Creepy, crawling, and colorful, Color Shifters Creatures appeared on shelves in 2010. With this version, varying degrees of water temperature could be used for a multi-color experience.
Water Revealers Series: High Voltage (source)
The year 2011 marks the twenty-third year of color changing cars. The popular Color Shifters were broken down into four categories: Water Revealers, Hypercolor, Metallics, and Glow in the Dark. The Water Revealers series are simply the traditional Color Shifters.
Hypercolor: Skull Crusher ( source | source)
Hypercolor: Ratmobile (source)
Similar to mood rings of the 1970s, the Hypercolor series has the ability to be changed by the warmth of your touch.
Metallics Series: ‘69 Chevelle (source) | Volkswagen Beetle (source)
The Metallics series features an awesome sparkle to its colorful paint job.
(source)
Glow-in-the-Dark Series: Fandango (source) | Deora II (source)
The Glow-in-the-Dark series has the ability to be changed traditionally, but it also glows in the dark when it is in its “warm” color.
Mattel really brought its Color Shifter series to life when it created a life-size Color Shifters Water Revealer in 2008. Kids had the opportunity to spray or apply water-soaked sponges on the state-of-the-art genuine Ford Mustang as part of its road trip throughout Canada. (source)
The history of Mattel’s Color Shifters line demonstrates how color can be a key player in the longevity of a successful product. Color Shifters have truly colored our world in a magical way by making kids and grown-ups alike smile at the simple application of water to a toy that has been a part of our lives for over 40 years!
header image + palette: source
The entire COLOURlovers Team spent the better half of last week at Print's COLOR CONFERENCE in NYC. This was the first year of the event and I can definitely say we look forward to many more!
Aaron & Darius (aka Bubs) | "Creative Differences"
As the event organizer, Print had the tough job of narrowing down what topics would be covered to rein in color at its finest. Topics ranged from color trending to a variety of looks at color in product design to how color affects our lives on personal levels, business and even non-profit. Between some great speakers, fun activities and CMYK Cocktails, I'd say we all had a wonderful time discovering color in ways we hadn't thought of before. It was truly intriguing to meet and talk to so many people interested in color and who work with it in a variety of fields. From those who deal with it broadly between science and art, every attendee brought a unique addition to the conference.
If you'd like a full rundown on the happenings, see blogpost, Viva Color at Print's First Color Conference - great images of the CMYK Cocktails, the speakers panel and many fun candid shots.
Andy Gordon of 48HourPrint.com using Jamie Aylwin's palette | "Planking" | @48hourprint
We brought out a fun, interactive, five-color palette photo booth - which was a huge hit - Enjoy!
Let's start with some of the COLOURlovers Team...
Bubs | "Readyforlove" | COLOURlover | @Darius A. Monsef IV
Aaron Epstein | "let there be light" | aepstein |
Molly Bermea | "Ooga Booga" | mollybermea @mollybermea
Serafina Bermea | "Goo Goo, Ga Ga"
Brian Reavis| "Jazz Hands - Default Pattern Definition" | brianreavis
Shaun Chapman | "Easter Egg" | shaunchapman @shaunchapman
Greg Hennes, COLOURlovers Official Photographer | "pink parts are punk" | Greg Hennes
...and the some of the COLOURloving conference attendees in no particular order...
Toti | "Ligero" | @patrullaverde
Gail Towey | "Sorbet" | Martha Stewart
Julia | "Vertical Reality (A)" | @colorwheelz
Julia | "Vertical Reality (B)" | @colorwheelz
Cassie | "Stormy"
Alice Fisk MacKenzie | "Orange Reality"
Hector | "Peaceful Passion" | @hecttorcardenas
Barbara Slavin | "Mushroom Rain" | @baslavin
Nancy | "Soothing Verticals" | @nancysoriano
Shelly | "I Love Orange"
Deborah | "Solar Burst" | @chromatology (Deborah)
Marc | "Just Make Something Up"
Brooke | "Troll Hut"
Andrea & Eugene | " Crimson Bump"
Francesca Capone | "Subtle Good Times" | 3RDWARD
Keli Cavanaugh | "Teal Love"
Alyson | "Summer Fun" | @alysonpage
Heather Kim | "Happy Gap"
Max | "Primaries Plus" | @moxymetals
Aaron Kenedi | "Awesome Aaron" | @printmag
Anne | "Pinklicious"
Dawn DeSimone | "Hypestir" | American Women
Jamie & Andy | "Planking" | @48hourprint
Jude Stewart | "Sexy Clown" | joodstew @joodstew
Reshma | "Not RGB" | @AbofC
Julia | "Sparkle Lust" | @colorwheelz
Heather | "Burnt Umber in New York"
Veronica | "Art Gallery | @patrullaverde
Stacie | "Grapevine" | @stacieberger
Kat Simao | "Kat" | @simaok190
Jaime De La Ree | "The Past Architect" | @jdelaree
Veronica & Loti | "CMYKW" | @patrullaverde
Gary | "It's a Tough One" | @garylynch50
Donna | "Sky and Earth"
Jeff | "Go Gators!"
Leni Schwendinger | "Early in the Day" | @leni_light
Dawn DeSimone | "Hypestir" | American Women
Ruth Lande Shuman | "Family" | publicolor.org
J. Perelmuter | "Chhh" | @jyabird
Melody | "Crawfish"
Jenn | "New York Mood"
Tracy | "Purple Crush"
Neal | "Today's Mood"
Aaron Epstein
Leni Schwendinger | "Fragrant Spring" | @leni_light
Scott Brucato | "Alphamango" | @scoots_mcgee
Cheryl | "Biscuits" | @cherylyau
Emily | "Oh Geez!"
David | "Universe (36)" | @davidblansfield
Cory Smith | "UGA" | @corysmith1111
David Crandall | "Yeah that's fine."
Jeane | "Orange Crush"
Daria Haines | "10.05.11.3.55"
Bonnie | "The Start of Life"
Power, speed and vibrant color were the dominating themes in posters created in the 1920s. The artwork, referred to as Art Deco, allowed posters to take on a new form with simplified shapes and sleek, angular lettering replacing the curved lettering of the Art Nouveau style. (source)
Presented by the offset printing services company, Next Day Flyers. They offer fast turnaround time on printed materials including business cards, postcards, flyers, and brochures.
The term Art Deco comes from the 1925 Decorative Arts Exposition in Paris, where people flocked to view a spectacular display of this new type of art.
1926 Poster “Don Juan,” starring John Barrymore (grandfather of Drew Barrymore) (source)
This vintage 1926 movie poster practically drips with brute strength and speed. It also features a variety of lettering styles and colors to add a bit more excitement to the overall picture.
1920's George V. Hecker's Flour Vintage Poster (source)
Printed in the lithograph style, you will notice that this beauty was laid out horizontally, suggesting that it was used as an insert for advertising on a train, trolley or bus.
1920s Original Antique Vintage Clothing Poster (source)
The well-dressed couple depicted in this poster is wearing the flapper-style clothing that was popular in the Art Deco era. Another thing that sets it apart, which cannot be seen in a digital image, is its linen back, which was a common printing surface in this time period.
1920s Lori or Lora Harrington & her Gypsy Wayfarers Vintage Vaudeville Music Poster (source)
Printed by Quigley Lithograph Co., this rare music poster uses a simple color scheme to draw the audience in and make the lettering litterally pop out at you. Another interstesting tidbit is that it was mounted on linen and machine folded for distribution.
1920s National Dairy Council Milk Poster (source) | 1928 Milk Bottle Lawrence Wilbur Poster (source)
Have you ever wondered how drinking cow’s milk became so popular? Apparently, the National Dairy Association started its campaign back at the turn of the twentieth century. The bright yellow in the National Dairy Council poster definitely catches the eye. In contrast, the deep shades of color in the Lawrence Wilbur poster showcase illustrative and graphic arts printing methods at their best.
1920 Dairy Milk and Airplane Poster (source)
Produced by the Dairymen`s League Cooperative Association in New York City, this poster also promotes the drinking of milk by combining the themes of power and speed with a traditional American landscape. Although the airplane is the focus, this poster offers many other elements such as the machine-age skyscrapers in the foreground encompassing the airplane, a milk truck on a highway and a steam engine train, backed by a colorful patchwork of farm lands.
1920s Corticelli Fabric Fashion Poster (source)
Fashion at its finest! This simple, yet elegant poster uses the idea of “less is more” to convey its message.
1920 French Railroad Poster (source)
This work of art reveals lithograph at its finest. Advertising the French Railway as your host for excursions to Normandy, it was printed in France and designed by well-known French graphic designer, poster artist, and illustrator Charles-Jean Hallo.
1920s Doctor Lynas’ Extracts Poster (source)
This poster is unique in that it was printed on cardboard. Its bold typography adds emphasis to the fact that Dr. Lynas’ was a well-known brand of the era.
1920 Eveready Flashlight Christmas Poster (source)
This charming photomontage poster mixes text and photo elements to create a sense of expression that is sure make you smile. The detail that went into printing this almost “life-like” gentleman reveals the use of some very detailed and tedious lithography techniques.
Vintage ambient advertising for women's stockings, 1920s (source)
These “posters” take linen backing to a whole new level.
In retrospect, while many posters from the 1920s were detailed works of art, a great many more were simply humorous, cheeky, or down-right ugly. Together, these posters helped to form the foundation of modern-day advertising, and give us great topics to blog about, too!
header credit: poster source | palette
Power, speed and vibrant color were the dominating themes in posters created in the 1920s. The artwork, referred to as Art Deco, allowed posters to take on a new form with simplified shapes and sleek, angular lettering replacing the curved lettering of the Art Nouveau style. (source)
Presented by the offset printing services company, Next Day Flyers. They offer fast turnaround time on printed materials including business cards, postcards, flyers, and brochures.
The term Art Deco comes from the 1925 Decorative Arts Exposition in Paris, where people flocked to view a spectacular display of this new type of art.
1926 Poster “Don Juan,” starring John Barrymore (grandfather of Drew Barrymore) (source)
This vintage 1926 movie poster practically drips with brute strength and speed. It also features a variety of lettering styles and colors to add a bit more excitement to the overall picture.
1920's George V. Hecker's Flour Vintage Poster (source)
Printed in the lithograph style, you will notice that this beauty was laid out horizontally, suggesting that it was used as an insert for advertising on a train, trolley or bus.
1920s Original Antique Vintage Clothing Poster (source)
The well-dressed couple depicted in this poster is wearing the flapper-style clothing that was popular in the Art Deco era. Another thing that sets it apart, which cannot be seen in a digital image, is its linen back, which was a common printing surface in this time period.
1920s Lori or Lora Harrington & her Gypsy Wayfarers Vintage Vaudeville Music Poster (source)
Printed by Quigley Lithograph Co., this rare music poster uses a simple color scheme to draw the audience in and make the lettering litterally pop out at you. Another interstesting tidbit is that it was mounted on linen and machine folded for distribution.
1920s National Dairy Council Milk Poster (source) | 1928 Milk Bottle Lawrence Wilbur Poster (source)
Have you ever wondered how drinking cow’s milk became so popular? Apparently, the National Dairy Association started its campaign back at the turn of the twentieth century. The awful mustard yellow in the National Dairy Council poster definitely catches the eye. In contrast, the deep shades of color in the Lawrence Wilbur poster showcase illustrative and graphic arts printing methods at their best.
1920 Dairy Milk and Airplane Poster (source)
Produced by the Dairymen`s League Cooperative Association in New York City, this poster also promotes the drinking of milk by combining the themes of power and speed with a traditional American landscape. Although the airplane is the focus, this poster offers many other elements such as the machine-age skyscrapers in the foreground encompassing the airplane, a milk truck on a highway and a steam engine train, backed by a colorful patchwork of farm lands.
1920s Corticelli Fabric Fashion Poster (source)
Fashion at its finest! This simple, yet elegant poster uses the idea of “less is more” to convey its message.
1920 French Railroad Poster (source)
This work of art reveals lithograph at its finest. Advertising the French Railway as your host for excursions to Normandy, it was printed in France and designed by well-known French graphic designer, poster artist, and illustrator Charles-Jean Hallo.
1920s Doctor Lynas’ Extracts Poster (source)
This poster is unique in that it was printed on cardboard. Its bold typography adds emphasis to the fact that Dr. Lynas’ was a well-known brand of the era.
1920 Eveready Flashlight Christmas Poster (source)
This charming photomontage poster mixes text and photo elements to create a sense of expression that is sure make you smile. The detail that went into printing this almost “life-like” gentlmen reveals the use of some very detailed and tedious lithography techniques.
Vintage ambient advertising for women's stockings, 1920s (source)
This “poster” takes linen backing to a whole new level.
In retrospect, while many posters from the 1920s were detailed works of art, a great many more were simply humorous, cheeky, or down-right ugly. Together, these posters helped to form the foundation of modern-day advertising, and give us great topics to blog about, too!
header credit: poster source | palette
Millions of pink Breast Cancer products get ready to take October by storm. The colors of awareness are popping up everywhere by any number of businesses large and small…
“Buy this pink product and all proceeds will be donated to breast cancer.”
photos by me | The Human Bean donates all proceeds to the local hospitals on a certain day in October.
This might be one of the most successful marketing ploys of the twentieth-century. Why? Because people don’t mind contributing when they feel like they are getting something out of showing their support.
Take a look at the average consumer, who generally does not have or want to spend the extra cash to simply donate. Now they can donate and get something in return. Wouldn’t you much rather spend $8.00 on a pink water bottle than donate $8.00 directly to a charity? I am going to buy a water bottle anyway.
Embrace Activism Products specifically designed around Breast Cancer
The sheer number of charities asking for donations can be daunting. How do you pick one if you don’t necessarily have a sentimental reason to go with one or the other?
Being an average person and general consumer of every day products, I have no personal reasons to choose to financially support a cause. So unless someone asks me to donate I most likely wouldn’t think to donate if it wasn’t right in my face when I go to the store. But, since I’m there, I might as well buy the loaf of bread with the pink ribbon graphic promising to donate for me. I feel good about supporting a cause and I get my loaf of bread, everyone wins.
A couple basic cause-based advertising models…
Spare Change: Asking customers if they would like to round up their purchases to donate the extra change to a certain cause or charity. Normally something at a grocery store, but you could use this on a smaller scale in almost any type of situation.
Color it Pink or add a Pink Ribbon: This is the biggest marketing scheme we see on a daily basis. Companies small and large use this method to generate awareness for their brand, products and the cause (of course). Pair up with a foundation or simply donate to local programs (organized charities, hospitals, groups) to draw in community members.
With October just a hop over the fence, there is ample opportunity to get in on it some way or another! From using the color pink and boobies in unexpected product design or creatively funny ads, it's a great way to step out of your regular routine and make a splash at it!
Products & Proceeds
Jordan "Think Pink" | Nike "Think Pink"
Pink tortillas, El Rey tortilla factory (2009)
Putting on events or being involved in events can get your brand out there in any number of ways...
Ladies Golf Breast Cancer Day at Jamberoo Golf Club.
2011 Camaro SS Pink Breast Cancer NASCAR Pace Car
Penny Lancaster Pink Ribbon Walk 2011
Etsy...
I'm actually surprised at how little Etsy crafters have made for Breast Cancer Awareness Month and I'm even more surprised that more than half the crafters displaying content for sale, are not even trying to pull off donating proceeds or a percentage to some foundation or another...which would probably help their purchases. Maybe we'll see more pop up as we get in to October more.
With October being the official month for Breast Cancer Awareness, there are plenty of opportunities to run a caused based promotion with your small business be that an Etsy shop or physical business.
What's the coolest breast cancer product or ad you've seen?
For the past decade, the libraries we knew as children with the Dewy Decimal System and the Card Catalogue have been approaching the brink of extinction. We live in an era where the Kindle and the iPad challenge the need for physical books, and libraries and bookstores face the daunting task of attracting the readers’ attention just to stay in business.
From the sketchbook of, Kelcey Beardsley Portland, OR, United States | "Things found on restaurant napkins"
Granted, those who are surviving have found some sort of niche to keep the interest going. For example, the bookstore Barnes & Noble has always had a sort of coffee-house atmosphere where people actually go to enjoy an experience. Amazon.com, already online and a threat to physical bookstores, quickly became a source for digital media along with its physical media. So, how about the local library? What has changed to keep it in the running?
From the sketchbook of, Kelcey Beardsley Portland, OR, United States | "Things found on restaurant napkins"
The Brooklyn Art Library is not exactly a traditional library, but more of a co-op gallery. It does provide a library-type experience, but with so much more. The library acts as a physical extension of Art House Co-op, a library featuring artistic talent from around the globe encompassed in sketchbooks.
Folding Sketchbooks - source
Art House opened its doors in December of 2006 initially as a pay-to-play gallery, but it didn’t do so hot. Scrounging for ideas to keep the business going, the co-op started the first ever, “A Million Little Pictures,” meaning a million photographs and one cross-country exhibition.
“A Million Little Pictures is a community-supported exhibition of snapshots captured around the world. By joining together thousands of specific moments to create a single immersive environment, A Million Little Pictures imagines a communal story from the images of our lives.” - arthousecoop.com (A Million Little Pictures)
The exhibition did okay, but it didn’t help fully support Art House’s gallery. The one thing it did do was give birth to idea of “The Sketchbook Project”—a traveling library of artists’ journals that is open to anyone around the world. The Art House gallery has had three locations and finally resides in Brooklyn, NY, as the Brooklyn Art Gallery—the home of many sketchbooks from around the World.
The library acts as the physical extension of Art House and is home to the Sketchbook Project. The walls are lined with shelves of sketchbooks from The Sketchbook Project. Visitors can check out a pile of books or simply peruse sketchbooks from around the globe. How amazing it must be to sift through so many varied mediums and talent.
Sketchbooks are individually catalogued and bar-coded so that they can easily be found (by artist name, location and theme). Authors can also choose to have their books digitalized, which means they are scanned and become available online at the Art House Co-Op online in their Digital Library.
The physical library is also a storefront for, you guessed it, sketchbooks, notebooks, art supplies, stationary and vintage trinkets.
From the sketchbook of, Jackie Mangione Williston, VT, United States | Storybook
The library’s purpose is to connect artists from all over the world and encourage the Art House community to interact with one another face-to-face, while showcasing members’ artwork to the local Brooklyn audience. The library hosts readings, discussions, workshops and performances. (source)
A West Coast US location may be opening up in the San Francisco area. Participants in the 2012 exhibition would be included in the launch of the West Coast hub.
When you sign up for participation in The Sketchbook Project you will get to pick from 40 themes. Themes are there to give you a little boost in the creative direction of your sketchbook and are not restricted to any specific rules. Basic participation costs $25 (USD). This gets you a sketchbook and helps in the expense of the entire project overall. Other optional expenses include requesting that your book be scanned for online viewing ($20 USD) and/or a Sketchbook Project t-shirt ($20).
From the sketchbook of, Gení§ay Aytekin Istanbul, Fatih, Turkey |
From the sketchbook of, Jackie Mangione Williston, VT, United States | Storybook
I signed up for the Category, Monochromatic and plan to either stick with a single color in many different mediums to create my sketchbook artwork as a whole or use a different hue in single color creations for each page. I am considering a way to incorporate COLOURlovers color swatches.
From the sketchbook of, Jane Kim Los Angeles, CA, United States | Coffee & Cigarettes
Unique Folded Sketchbook - source
Take note that these sketchbooks are not restricted to the format of a regular book either. Creative foldouts, popouts and any type of mixed media is acceptable with a warning to adhere things strongly since these will be handled and viewed from people all over the world. Your book will be well traveled.
What a great outlet to work on your creative style and promote your name as a creative individual be it Graphic Design, Illustrative Design, Mixed Media Artist and any type of singular art such as drawing, sketching, painting, inking, stamping and so on. I am looking forward to participating and experimenting in varied mediums.
Apparently themes fill up fast with over 10,000 people in participation. You must sign up no later than October 31st, 2011 in order to participate for the 2012 exhibition. Deadline to turn in your finished sketchbook is January 31st, 2012 (postmarked by) and the Tour starts in April 2012.
The business card: Your most powerful self-marketing tool. From basic black and white to lavish die-cut, colorful pieces of art, they all do just about the same thing—they introduce and retain your personal or business brand. In some countries they are traded with no formality while in others they are exchanged with great ritual, you probably have at least two or three in your wallet right now, they are EVERYWHERE! Probably the single most used marketing tool in the world today, the business card has been utilized for centuries as a means of introducing oneself. So, how did this simple rectangular piece of paper come to infiltrate the business culture of today? (source)
This post made possible by Next Day Flyers, the online poster printing company offering fast turnaround times and amazing prices.
1883 Die-Cut Card (source) | (left) Die-Cut Today (source)
Etiquette
By the 18th and 19th centuries, a strict etiquette had been developed and was rigorously followed by members of polite society or risk of social disgrace would ensue. The servant of the household would answer the door and hold out a silver tray in his left hand. The card would be placed on the tray and then taken to the lady of the house to accept or reject. Certain folds were observed, “If the upper right hand corner of the card was folded it indicated that the card's owner had presented the card in person. A card folded in the middle indicated the call was meant for several or all the members of the family” (source). Certain abbreviations were used to explain the visit, such as “p.c.” for condolence call or “p.f” for a congratulatory visit. (source)
The lithography process required printing from stone slabs. A different stone was used for each color, so the more colors used, the more expensive the trade card. As the process was developed, as many as 15 stones could be used to create a single card!
These became popular in the late 1890s. To emphasize packaging on trade cards, brands such as Heinz or Arm & Hammer would make whole cards that were die-cut to resemble the package of a product. The use of color, expression, and shape distinguished these cards above all others. It was believed that “giving away high-quality pictures would stimulate customers’ recognition of their name and brand” (source).
1870-1900 | Great Atlantic and Pacific Tea Co. (New York) | Chromolithographed Trade Cards.
This marketing scheme was built off of the idea that using this product would improve one’s life. Trade Cards conveyed this message by using colorful illustrations that demonstrated quite literally the before and after effects of using the product. Just read the short “Arm & Hammer” trade card poem to see how you might fatten yourself up!
Before | Folding Card 1800's
After | Folding Card 1800's source
Often, trade cards would use folding, movable parts, require the user to turn the card over or upside-down, or had to be held up to a light to reveal the message. The attention to detail and use of eye-catching colors was paramount in the creation of these cards.
At some point in history, a combination of the Industrial Revolution, rise of the middle class, and decline in social formality gave birth to a class of European and American entrepreneurs with the express need to exchange information. They merged the idea of the visiting and trade cards to create the first version of today’s commonplace business card. These cards were plain and printed on heavy paper, and disdained by the members of the upper class. (source)
1960's | Business Card for Ole Surfboards (source)
1970's | Kowloon Restaurant, Madeline Wong (source)
1980's | Business Card for Last Place on Earth (source)
Business cards had a much easier start in the United States, where their use became widespread in the 1890s. By the early 20th century, business cards in the U.S. were at their current level of usage. You might be surprised at the business etiquette required even today, making me think that our aristocratic ancestors may not have been as self-important as we might think.
1990's | Business Card (source)
While in the United States the exchange is fairly relaxed, many Asian nations follow elaborate rituals for both the presenter and the receiver of the card. In some international places it is considered extremely rude to present a business card with your left hand, or to put a card away immediately after receiving it. Those who travel abroad would do well to have a two-sided card with the information printed in the language of the nation in question on one side, and should also take care not to write notes on the card. Cards should also be protected in a case of some sort, and presented in pristine condition.
Modern-day business cards run the gamut with the availability of advanced printing techniques, extravagant design options, a rainbow of color schemes, fancy imprinting and embossing to add texture, foiling, and die-cutting options that come together to create a card that is uniquely you.
(source)
Even after four centuries of wide-spread use, one thing remains certain—this small, paper marketing tool is still making a big impact on the way we connect with others.
header credit: Victorian Calling Cards | Late 1800's (source)
Designed to catch your attention while leaving a lasting impression, billboards have an interesting place in history. From humorous to thought-provoking, they decorate our roadsides, draw-attention to our buildings, and often stick with us long after we leave them behind. So, where did these over-sized advertising tools find their start?
(source - This is the only image available for this billboard)
Drive-by advertising has been around since the circus came to New York in 1835. Early billboards were basically large posters attached to the sides of buildings. In 1889 the world’s first 24 panel billboard was erected, paving the way for what was to come.
McDONALDS Original painted billboard
Hand-painted billboards were created in large studios. The image was projected onto panels, outlined, and then painted on using large brushes and oil paints. After it was installed the artists would touch-up the paint where the panels came together.
A prime example of the hand-painted billboards, this billboard (above) was erected in Salt Lake City, UT, in 1908.
(source)
In 1911, one of the first lighted billboards is recorded as having been erected in Los Angeles, CA. They were soon popping up everywhere as a great way to advertise 24-hours a day.
(source + many more great images of this type of billboard)
These 1947 billboards are notable for their construction which was originally all-wood (left), and then lauded for its 100% all-steel construction (right).
Billboards were transformed by digital technology, which replaced hand-painted boards with computer-painted wonders. This had made possible a diverse selection of advertising formats.
Today you can still find hand-painted billboards in Los Angeles, California’s “Sunset Strip.”
Chick-fil-A is known for its use of three-dimensional billboards featuring black and white cows protesting the eating of beef. Surprisingly lacking in color, these billboards are eye-catching in their simplicity, while their use of humor makes them memorable.
Digital billboards are versatile in that they can have changing images, display running text, or be used by more than one company for advertising.
Inflatable billboard placed in the median of busy traffic.
Inflatable / floatable beach advertising
Inflatable, bubbly-fun shaped billboard
Inflatable billboards are colorful, eye-catching, shapely and easy to set up for temporary events (many more entertaining inflatable billboards at image source).
(source)
The first scented billboard was erected by the Bloom Grocery Store chain in June 2010. Set to emit a burst of black pepper and charcoal twice a day during rush hour, this billboard has brought outside advertising to a whole new dimension.
(source)
Coca-Cola and the World Wildlife Fun worked together to create, quite literally, the “greenest” billboard in history. Located in the Philippines, this billboard is covered in Fukien tea plants, which were planted in old Coke bottles to allow sideways growth. Each plant absorbs up to 13 pounds of carbon dioxide a year.
Helping us find a place to eat, sleep, get fuel, or be entertained, Billboards are everywhere! For small businesses, these large, colorful, eye-catching wonders are sometimes the cheapest way to advertise a business, not to mention their ability to reach far more people than almost any other advertising medium. One thing is certain, billboards make our commuting lives a little more colorful and a little easier as they entertain, distract and direct us on the road.
The Quick Response Code, better known as the QR code, has come a long way since it's start in 1994 as a tool for the automotive industry. This two-dimensional barcode was originally created for tracking vehicle parts and was ideal because it could hold a lot of information and could be read at high speeds (source).
(source)
A basic QR code is not limited to, but generally made up of black and white square clusters, almost like a very pixelated looking vector image. It looks like a funky blob to me, but apparently it can do quite a few nifty tricks!
(source)
- Screenprint - (source)
Colorful screen printed artwork of QR codes by Steven Rojas (August 2011) where he produced a limited edition series to encourage interaction between the viewer and the work of art. When the code on the print is scanned with a QR reader (on your smartphone), it will lead you to one of a three piece invitation for Internet Week. This was a perfect use for the QR code simply because you could almost guarantee that the audience looking and using the art would most likely own camera smartphones (considering the event they were being summoned to).
-Artistic - (source)
In February of this year, Mashable published a guest post by ShareSquare CEO, Matthias Galica on using QR Codes for event marketing. It really covers a nice collection of ways you can pump up and promote different types of events.
Put your QR code on every single piece of promotional material you have. This goes for every marketer. Posters, flyers, stickers, merchandise tags, press kits, temporary tattoos; The more unusual the better. Any promotion without one is a missed opportunity at major events, especially tech-forward gatherings like SXSW. - Matthias
-Magazine + Product Ad's - Notice the placement, size and the little helper-graphic of a cell phone on these products (above)
QR codes can do some amazing things! Almost anything it seems from creating pre-populated tweets or Facebook posts, to asking people to "LIKE" your company's Facebook page, showing hidden scenes from a movie event, offering free tickets, providing cool freebie downloads. Overall a great article with lots of tips on using QR codes for events and well, for advertising your brand in general.
- Event / Wine Neck Labels - (source)
Great related articles with some good idea starters:
- Billboard / Poster - Notice the tiny extra image between the blocks of black...
In a world that is becoming more mobile, attention spans are decreasing, and information is expected to be at our fingertips, QR Codes and Traditional Barcodes are potentially the wave of the future. I mean just imagine a takeout menu where each item is listed next to a corresponding QR Code and you can simply place your order by taking a picture with your phone, wouldn’t that be convenient? Looking for show times of the new Summer Blockbuster, wouldn’t it be nice to just capture a QR Code on the poster? - sfreeo article
- Real Estate Advertisement -
It's amazing what sort of QR code designs have come about throughout the years. Japan has been using QR codes far longer than the United States and some amazing artwork has sprung up from everywhere since it's burst of popularity in 2011.
- Advertising -
Will QR codes simply become known as a big fad of 2011 or will it continue to become even more creative and useful? Will it be used more heavily than copy in advertisements - pushing the consumer to engage in the ad to find out more? Where do you suppose it'll go in 2012?
"Tell the chef, the beer is on me."
"Basically the price of a night on the town!"
"I'd love to help kickstart continued development! And 0 EUR/month really does make fiscal sense too... maybe I'll even get a shirt?" (there will be limited edition shirts for two and other goodies for each supporter as soon as we sold the 200)